Game Audio Credits |

2021

The Binding of Isaac: Repentance, Nicalis (sound design)

2020

Sackboy: A Big Adventure, Sumo Digital (sound design and implementation – Wwise and Unreal Engine 4)

2019

Crystal Crisis, Nicalis (as Audio Director: sound design of all sound effects, dialog editing, and implementation of all sounds in Unity)

2017

Fortnite, Epic Games (additional sound design for prop searching, pickaxes, weapons and abilities, traps, and memory optimization for iOS)

2016

Paragon, Epic Games (implementation of all sounds in Unreal Engine 4. Lead Sound Design: hero weapons and abilities, UI, ambience, gameplay events, emotes, body foley and footsteps)

2015

Showdown, Epic Games, VR experience (sound design and implementation)
Open World Kite Demo, Epic Games (sound design and implementation: ambient sound, foley and footsteps, and implementing all sounds in Unreal Engine 4)

2014

Zen Garden, Epic Games (sound design and implementation of all sounds)
Matinee Fight Scene, Epic Games (tech demo sound design and implementation of all sounds)

2013

Infinity Blade 3, Chair Entertainment (sound design and implementation of all in game sounds, dialog editing and processing, cinematics)

2011

Bulletstorm, Electronic Arts, Inc. (ambient sound design, cinematic matinee sound design)
Gears of War 3, Microsoft Game Studios (ambient sound design & implementation, dialog editing, sound design and implementation of all in game cinematics and scripted events in Unreal Engine 3)
Infinity Blade II, Epic Games, Inc. (enemy character vocal sound design, ambient sound design, foley & object sound design, anim set sound design of all characters, matinee sound design. Implementation of all sounds)

2010

Infinity Blade, Epic Games, Inc. (enemy character sound design and implementation in animset of all characters, matinee sound design, ambient sound design and implementation into Unreal Engine 3)
Monster Mayhem: Build and Battle, Crave Entertainment (sound designer)
Flip’s Twisted World, Majesco Entertainment (sound designer)

2009

Shadow Complex, Microsoft Game Studios (ambient sound design and implementation in Unreal Engine 3, sound design of weapons, enemies, UI sounds)

2008

Gears of War 2, Microsoft Game Studios (ambient sound design, vocal editing, cinematic matinee sound design and scripted event sound design)
Line Rider 2: Unbound, Genius Products Inc. (sound design all sound effects & cinematics)
Baby Pals, Crave Entertainment (sound design of all sound effects)

2007

2006

AND 1 Streetball, Ubisoft, Inc. (design of all sound effects)
Pac-Man World Rally, Namco Bandai Games America Inc. (design of all sound effects)
Snoopy vs. the Red Baron, Namco Bandai Games America Inc. (design of all sound effects)
Exteel, NC Soft (sound design)

2005

2004

The Bard’s Tale, Vivendi Universal Games, Inc. (design of all sound effects)
SpongeBob SquarePants: The Movie, THQ Inc. (design of all sound effects)
The X-Files: Resist or Serve, Vivendi Universal Games, Inc. (design of all sound effects)
Lineage II: The Chaotic Chronicle, NCsoft – North America (new character and player & enemy skill sound design)
Fight Club, VU Games (sound design & voice editing)
Unreal Tournament 2004, Atari (additional weapon sound design)

2003

Aquaman: Battle for Atlantis, TDK Mediactive, Inc. (design of all sound effects)
SpyHunter 2, Midway Home Entertainment, Inc. (cinematic sound design)
Unreal II: The Awakening, Infogrames, Inc. (enemy, weapon, ambient and cinematic sound design)
War of the Monsters, Sony Computer Entertainment America, Inc. (design of all sound effects & creature sounds & implementation into Sony sound engine)
Maximo vs Army of Zin, Capcom Co., Ltd. (design of all sound effects)
Tonka Rescue Patrol, TDK Mediactive, Inc. (design of all sound effects)
Fugitive Hunter: War on Terror, Encore Software (design of all sound effects)

2002

2001

2000

Evil Dead: Hail to the King, THQ Inc. (design of all sound effects & enemy creature voices)
Messiah, Interplay Entertainment Corp. (design of all sound effects)
Sacrifice, Interplay Entertainment Corp. (design of all sound effects)
Spider-Man, Activision Publishing, Inc. (design of all sound effects)
Tony Hawk’s Pro Skater, Activision, Inc. (design of all sound effects)
NCAA March Madness 2001, EA Sports (design of all sound effects & cinematic sound)
NFL Blitz 2001, Midway (sound designer, voice editing)
Army Men Air Attack, 3DO (design of all sound effects and cinematic sound)

1999

007: Tomorrow Never Dies, Electronic Arts, Inc. (design of all sound effects)
BassMasters 2000, THQ Inc. (design of all sound effects)
Unreal Return to Na Pali, GT Interactive (additional weapon sound design)
Knockout Kings 2000, Electronic Arts, Inc. (design of all sound effects)
R/C Stunt Copter, Titus France SA (design of all sound effects)
Pac-Man World (1999), Namco Hometek Inc. (design of all sound effects)
NCAA March Madness 2000, EA Sports (design of all sound effects & cinematic sound)
Wheel of Time, GT Interactive (sound design)
Test Drive 6 (sound design), Accolade (sound design)

1998

Test Drive: Off-Road 2, Accolade, Inc. (design of all sound effects)
WarGames: DEFCON 1, MGM Interactive (design of all sound effects)
Adrenix (1998), Playmates Interactive Entertainment, Inc. (design of all sound effects)
Hardball 99, Accolade, Inc. (design of all sound effects)
Apocalypse, Activision, Inc. (design of all sound effects)
Wild 9, Interplay (design of all sound effects)
Beavis & Butthead Bunghole in One, GT Interactive (all sound design & voice editing)
Beavis & Butthead Do U, GT Interactive (all sound design & voice editing)
Test Drive 5 (sound design), Accolade (sound design)